Sir Anthony van Dyck
Frederik Hendrik, Prince of Orange
1630
Physical Qualities
Oil on canvas, 45 x 38 in. (114.3 x 96.5 cm.)
Credit Line
The Mary Frick Jacobs Collection
Object Number
1938.217
The Baltimore Museum of Art by bequest, 1938; Mary Frick Jacobs by purchase, February 1930; Duveen Brothers, London, by purchase, July 1929; House of Anhalt-Dessau/Schloss Wörlitz, 1747; Prince Leopold of Anhalt-Dessau; Johanna Charlotte, Margarvine of Brandenburg-Schwedt, by bequest; 1708; Henrietta Catherina, wife of Prince Johann Georg II of Anhalt-Dessau, by bequest, 1675; Amalia van Solms, Noordeinde Palace, The Hague, 1673
Victoria and Albert Museum, London, "The Orange and the Rose," October - December 1964, ill. p. 30.
Denver Art Museum, "Baroque Art," October 3 - November 15, 1971, p. 81, ill. p. 80.
National Gallery of Art, Washington, D.C., "Anthony Van Dyck: Paintings in the Grand Manner," November 11, 1990 - February 24, 1991, pp. 221-225, ill. pp. 2, 223.
MFA Boston, "Class Distinctions: Dutch Paintings in the Age of Rembrandt and Vermeer,"
October 11, 2015 - January 18, 2016, cat. no. 4, ill., tour to Nelson-Atkins Museum of Art, February 20-May 22, 2016
Denver Art Museum, "Baroque Art," October 3 - November 15, 1971, p. 81, ill. p. 80.
National Gallery of Art, Washington, D.C., "Anthony Van Dyck: Paintings in the Grand Manner," November 11, 1990 - February 24, 1991, pp. 221-225, ill. pp. 2, 223.
MFA Boston, "Class Distinctions: Dutch Paintings in the Age of Rembrandt and Vermeer,"
October 11, 2015 - January 18, 2016, cat. no. 4, ill., tour to Nelson-Atkins Museum of Art, February 20-May 22, 2016
Jules Guiffrey, "Antoine Van Dyck, sa vie et son oeuvre," 1882, p. 131.
Lionel Cust, "Anthony Van Dyck," New and London: Hodden and Stoughton, 1911, pp. 252-254.
Emil Schaeffer, "Van Dyck des Meisters Gemälde," 1909, p. 507.
"Bull. Kon. Museum van Schoone Kunsten," Brussels, VIII, 1919, pp. 44-45.
F.W. Hudig, "Frederik Hendrik en de kunst van zijn tijd," 1928.
Gustav Gluck, "Van Dyck," New York: Kleinberger, 1931, p. 556, ill. p. 336.
"The Collection of Mary Frick Jacobs," Baltimore: Dr. Henry Barton Jacobs, 1938, ill. pl. 64.
Duveen Brothers, "Duveen Pictures in Public Collections of America: A Catalogue Raisonné with Three Hundred Illustrations of Paintings by the Great Masters, which have passed through the House of Duveen," New York: The William Bradford Press, 1941, cat. no., 187, b&w ill.
M. Mauquoy-Hendrickx, "L'Iconographi e d'Antoine van Dyck," Catalogue Raisonné, Brussels, 1956, no. 151, ill. p. 310.
D.F. Slothouwer, "De paleizen van Frederik Hendrik," 1945 N.K.J., 1948-50, pp. 118-64.
Erik Larsen, "The Paintings of Anthony van Dyck," Lithographie, Luca Verlag Freren, 1988, cat. no. 554, p. 224, b&w ill. p. 245.
Arthur K. Wheelock and Susan J. Barnes, "Anthony van Dyck," Washington, D.C., National Gallery of Art, pp. 236-237, ill.
Simon Schama, "Rembrandt's Eyes," New York: Alfred A. Knopf, 1999, ill. p. 32
Susan J. Barnes, "Van Dyck: A Complete Catalogue of the Paintings," New Haven: Yale University, 2004, cat. no. III.112, pp. 338-339, ill. p. 338.
Roni Baer, "Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer," Boston, 2015, cat. no. 4, color ill.
Stijn Alsteens and Adam Eaker, "Van Dyck: The Anatomy of Portraiture," New York, The Frick Collection, 2026, pp.186-188, 189n3, fig. 110.
On View: Jacobs, Gallery 8
