Skip to main content
Harpoon Head (Toggling) and Foreshaft - Image 1
Harpoon Head (Toggling) and Foreshaft - Image 2
Public Domain

Yup'ik

Harpoon Head (Toggling) and Foreshaft

Inuit, 1800

Thumbnail 1
Thumbnail 2
Scroll

Yup'ik

Harpoon Head (Toggling) and Foreshaft

Inuit, 1800

Physical Qualities Rawhide, bone, copper alloy, 10 13/16 in. (approx.) (27.5 cm.)
Credit Line John Erikson Collection
Object Number 1955.167.63a-b
Like their ancestors, Iñupiaq and Yup’ik artists of the 19th century adorned utilitarian objects with carvings. Hunters used implements like the harpoon point with a circle-and-dot pattern and the throwing board to hunt sea mammals. This throwing board effectively lengthened the hunter’s arm, so that the harpoon or dart resting in the groove was launched with greater power, speed, and distance. The animals carved in ivory here reveal the deep relationship between the hunter and the hunted and reflect the hunter’s respect.
Purchased by John Erikson in Alaska ca. 1900
Darienne Turner, The Baltimore Museum of Art, “Arctic Artistry”, July 17, 2022-January 8, 2023.

BMA, May Wing, Vitrines, Summer 1957.

Inscribed: none

Explore the Collection Further

Yup'ik
Pipe
1867–1899
Yup'ik
Line Attacher (Human-Seal Design)
1867–1899
Yup'ik
Line Attacher (Rabbit-Seal Design)
1867–1899
Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for headpiece from "Le Guignon" (refused etching)
20th century
Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for headpiece from "Le Faune" refused etching)
20th century
Yup'ik
Mask
1849–1899
Theodore Russell Davis and Haviland & Co.
"Sheep's Head" Fish Plate
1878–1879
Dehua kilns
Bowl with Applied and Slip-Trailed Lotus and Arrowhead Design
1100–1299