Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for headpiece from “The Jinx” (refused etching)
1931-1932
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Study for headpiece from “The Jinx” (refused etching)
1931-1932
Physical Qualities
Etching and letterpress, Sheet (trimmed within platemark): 330 x 250 mm. (13 x 9 13/16 in.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.12.694.2
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore; the artist
John Bidwell, "Graphic Passion: Matisse and the Books Arts," Morgan Library and Museum, 30 October 2015 - 18 January 2016.
BMA, "Henri Matisse: The Spirited Line--Works on Paper, 1898-1950, from the Museum Collection," 7 September - 2 November 1986.
BMA, "Henri Matisse: The Spirited Line--Works on Paper, 1898-1950, from the Museum Collection," 7 September - 2 November 1986.
Guillaud, Maurice, and Jacqueline Guillaud. Matisse: le rythme et la ligne. Paris: Guillaud Editions, 1987, plate no. 597 (published as “Le Guignon (pleine page)”).
Néret, Gilles. Matisse. [Place of publication not identified]: Konecky & Konecky, 1993, p. 154, no. 237 (published as “Le Guignon (rejected print for Poésies de Stéphané Mallarme)”).
Néret, Gilles. Henri Matisse. Köln; New York: Taschen, [1999], page 161 (published as “Le Guignon. Layout for the Mallarmé book, rejected plates”).
Cozzi, Leslie and Katherine Rothkopf (eds). "A Modern Influence: Henri Matisse, Etta Cone, and Baltimore." Baltimore: The Baltimore Museum of Art, 2021. ill.
Inscribed: lower right in pencil: "Planche refusée Le Guignon / Henri Matisse"; upper right in pencil near title: "le poignet et trop bas"
Markings: WM: ARCHES [bottom left]
