Ellen Harrison Bonsal
Jesus permit thy gracious name to stand
1823
Physical Qualities
Linen ground, silk embroidery threads, 15 x 19 in. (38.1 x 42.3 cm.)
Credit Line
Gift of Nancy Brewster (Mrs. Frances White) from the Collection of Virginia Purviance Bonsal (Mrs. Miles White, Jr.).
Object Number
1973.76.403
2-line verse 'Jesus permit thy Gracious name..;' 1 alphabet; outer strawberry border, inner checkered border.
A rectangular sampler featuring an alphabet and religious saying. The sampler consists of a natural tan linen ground embroidered in multicolored silk threads, including burnt orange, blue-green, lt. green, yellow-green, black, gold, pink/coral, beige, taupe, blue, brown, mauve, and off-white. The center portion of the sampler consists of a 9-1/2' x 14-1/4' area set apart by a 5/8' wide checked border. Within this rectangle is an alphabet of upper case script letters: 'ABCDEFGHIJKLM/NOPQRSTUVWXY' [no 'Z'], the first line composed of 1-1/4' high letters, the second of 7/8' high letters. A 3/4' wide band of hexagonal motifs separates the first line of the alphabet from the second line. A second 1/2' row of rectangular motifs separates the second line of the alphabet from the first line of the embroidered saying, 'Jesus permit thy Gracious Name to stand./As the first efforts of an infant hand.' This is worked in 1/2'-3/4' upper and lower case script letters. A small house motif is found at the end of this sentence. Below this, and separated by a 1/4' border motif, is the name of the maker, 'Ellen Harrison Bonsal's Sampler finis/hed March 29th. 1824. In the 9th. year of her/[on next line outside the central border area] Age' worked in 1/2'-1' script letters. Another decorative border composed of a green and off-white slanted check band separates the first and second lines of the signature and date. A 1-3/4' wide border featuring a horizontally-oriented stylized strawberry pattern surrounds the sampler. The sampler is worked in a variety of stitches including cross, half-cross or tent, rice, four-sided or box, rococo, satin, and eyelet stitches. When accessioned in 1973 this sampler was framed in a modern print frame. Following conservation in 1998 it was reframed in a newly constructed frame and glazed with conservation glass.
Baltimore Museum of Art by gift, 1973; Nancy Brewster (Mrs. Frances White) by inheritance; Virginia Purviance Bonsal (Mrs. Miles White, Jr.).
Anita Jones, The Baltimore Museum of Art, "Lessons Learned: American Schoolgirl Embroideries," November 23, 2014-May 10, 2015.
Susan Cumins, BMA, 'Period Needlework in America 1739-1865,' 1978, cat. #21; circulating to Arundel Center, Annapolis; Cecil County Public Library, Elkton; City Hall Museum and Cultural Center, Salisbury; The Museum in the Mall, Columbia; St. Mary's County Memorial Library, Leonardtown; St. Timothy's School, Stevenson; Washington College, Chestertown.
BMA, 'The White Collection,' March 19-June 2, 1974.
Susan Cumins, BMA, 'Period Needlework in America 1739-1865,' 1978, cat. #21; circulating to Arundel Center, Annapolis; Cecil County Public Library, Elkton; City Hall Museum and Cultural Center, Salisbury; The Museum in the Mall, Columbia; St. Mary's County Memorial Library, Leonardtown; St. Timothy's School, Stevenson; Washington College, Chestertown.
BMA, 'The White Collection,' March 19-June 2, 1974.
Inscribed: In addition to an alphabet embroidered within the center of the sampler is a saying, signature, and date: 'Jesus permit thy Gracious Name to stand./ As the first efforts of an infant hand./ Ellen Harrison Bonsal's Sampler finis/hed March 29th. 1824. In the 9th. year of her/Age.'