Jean Massard, Jean-Baptiste Greuze, and others
La Mère bien aimée
1774
Scroll
- Artist: Jean Massard
- Artist: Jean-Baptiste Greuze
- Publisher: Jean-Baptiste Greuze
La Mère bien aimée
1774
Physical Qualities
Etching and engraving, Sheet: 565 x 670 mm. (22 1/4 x 26 3/8 in.)
Plate: 555 x 660 mm. (21 7/8 x 26 in.)
Credit Line
Purchased as the gift of the Print, Drawing & Photograph Society
Object Number
2007.250
This melodramatic scene of a loving, happy family espouses a number of ideas about child rearing that were in circulation in the second half of the eighteenth century. Under the influence of the writings of philosophers John Locke and Jean-Jacques Rousseau, French society increasingly recognized that children should be treated as children, not miniature adults, and that childhood was an important phase of individual development. Rather than sending their infants to wet nurses, as was customary, well-to-do mothers were encouraged to breastfeed their children. Jean-Baptiste Greuze’s painting The Beloved Mother has remained in private hands since it was painted in 1769; it is thus primarily through Jean Massard’s spectacular etching and engraving, made six years later, that Greuze’s composition became well-known.
The Baltimore Museum of Art by purchase, 2007; Carolyn Bullard and Susan Schulman, Dallas
BMA, Jacobs Wing rotation, May - 10 September 2008.
"BMA Today," Baltimore Museum of Art, Fall 2008, p. 12.
Inscribed: Recto: in plate, below image, at left: "Peint par J.B. Greuze Peintre du Roi"; in plate, below image, at right: "Gravée par Massard 1775"; in plate, below image, at center: "LA MERE BIEN AIMÉE / A Madame de la Borde"; in plate, below image, at lower left: "A Paris Chez J. B. Greuze Peintre du Roi rue Tibautaudée Mlle. Niquet Scrip"; Verso: at lower right, signed by both artists: "Greuze" [brown ink] "Masssard" [black ink] [Lugt 1103]
Markings: WM: letters
