Cham (Amédée de Noe)

Philanthropie Bien Entendue (No. 7 “Moeurs Britanniques”)

n.d.

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Cham (Amédée de Noe)

Philanthropie Bien Entendue (No. 7 “Moeurs Britanniques”)

Cham (Amédée de Noe)

Philanthropie Bien Entendue (No. 7 “Moeurs Britanniques”)

n.d.

Physical Qualities Lithograph, 225 × 182 mm. (8 7/8 × 7 3/16 in.)

Credit Line Garrett Collection

Object Number 1946.112.1403

The Baltimore Museum of Art by gift, 1946; Garrett Collection; T. Harrison Garrett, Baltimore

Artist

Cham (Amédée de Noe)

French, 1819 - 1879

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Guerrilla Girls

Where are the women artists of Venice? (project for the Venice Biennale)

2005

Cham (Amédée de Noe)

Le Quaker (No. 2 of "Moeurs Britanniques")

n.d.

Guerrilla Girls

Benvenuti alla Biennale Femminista (project for the Venice Biennale)

2005

Cham (Amédée de Noe)

Le Reveil du Printemps de 1861 (No. 266 "Actualités")

n.d.

Alexandre-Gabriel Decamps and Gihaut

Adieux touchant de l'Ex-bien aimé à sa garde

1830-1831

Cham (Amédée de Noe)

Soldat Francais Fuman le Schibouque, No. 11 of "Moeurs Algeriennes"

n.d.

Félix Bracquemond, Auguste Delâtre, and others

Les Canards l'ont bien passée

1856

Cham (Amédée de Noe)

Baraguoin Britannique (No 11 "Moeurs Brittanniques")

n.d.

Antoine-Louis Barye

Theseus Struggling with the Centaur Bienor (sketch)

Original model c. 1846-1848; this cast n.d.

Cham (Amédée de Noe)

Allonsk, Voyons 1800ê . . . (No. 249 "Actualités")

n.d.