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Trunk of a Beech Tree, Fontainebleau
Public Domain

Eugène-Stanislas-Alexandre Bléry

Trunk of a Beech Tree, Fontainebleau

1845

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Eugène-Stanislas-Alexandre Bléry

Trunk of a Beech Tree, Fontainebleau

1845

Physical Qualities Etching, Sheet: 210 × 162 mm. (8 1/4 × 6 3/8 in.) Plate: 172 × 124 mm. (6 3/4 × 4 7/8 in.)
Portfolio/Series From the portfolio "Huit Eaux-fortes gravées sur nature"
Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number 1996.48.238
Barbizon School artists and their work played a crucial role in protecting the Forest of Fontainebleau as one of the first nature reserves in the world. Artists affiliated with the school petitioned against the planting of softwoods like pine for wood harvesting, asserting that the plantings distorted the natural landscape. They also opposed the cutting of hardwood trees, such as beech and oak, and successfully organized to change existing forest management policies. Eventually, the cutting of hardwood trees was suspended. Rather than representing idealized forest views, these four prints are portraits that capture the character of specific beech and oak trees in the Forest. Such detailed and heroicized depictions of individual trees reflect the artists’ deep commitment to nature and their protest against the private commercial interests that valued the new pine growth over the ancient hardwood trees.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Joanna Karlgaard and Robin Owen Joyce, BMA, "Deconstructing Nature: Environmental Transformation in the Lucas Collection," August 27, 2025 - January 11, 2026.

Inscribed: Signed and inscribed in plate: lower left "E. Bléry sct. sur nature f[illegible]"; lower right "aquat forti A 1845"

Markings: None

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n.d.
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1973
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