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Mutuaga and Massim

Lime Spatula

Massim, 19th century

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Lime Spatula

Massim, 19th century

Physical Qualities Wood, pigments, W. 1 1/16 x L. 10 1/8 in. (2.7 x 25.7 cm.)
Credit Line Gift of Alan Wurtzburger
Object Number 1955.251.113
2003: "Among the Massim, spatulas were not only used to serve lime, they could also be endowed with ritual power. A spatula and ritually treated palm nuts could be given to a man to induce him to join in the important and competitive trade system called kula. As preperation for a kula trip, a ritual specialist could summon a spirit to inhabit a spatula with human figures. The spirit in the spatula protected the owner while he slept." either Frederick Lamp or Kathy Fernstrom hand written notes in object file identify both as author
The Baltimore Museum of Art by gift, 1955; Alan Wurtzburger
"The Alan Wurtzburger Collection of Oceanic Art", January 7th-March 4th 1956, Baltimore Museum of Art
Douglas F. Fraser & Paul S. Wingret, "The Wurtzburger Collection of Oceanic Art" , BMA 1956 pg 32. ills 113.

Artist

Mutuaga

c. 1860 - c. 1920

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Culture

Massim

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BY SAME ARTIST
AFRICA, THE AMERICAS, ASIA, AND THE PACIFIC ISLANDS
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Adriaen Collaert, Hans Bol, and others
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1582
W. JONES, LIME-BURNER, THAMES STREET
James McNeill Whistler
W. Jones, Lime-Burner, Thames Street
1859
W. JONES, LIME-BURNER, THAMES STREET
James McNeill Whistler
W. Jones, Lime-Burner, Thames Street
1859
LIMEHOUSE
James McNeill Whistler
Limehouse
1859
THE LIME-BURNER
James McNeill Whistler and George A. Lucas
The Lime-Burner
1859
THE ABSENT-MINDED. THIS ARTIST, AFTER HAVING BEEN TO THE SALON, IS SEIZED BY A SUBLIME INSPIRATION AND APPROACHES HIS CANVAS. ALL OF A SUDDEN, TONES OF MUSIC, THE MOST PIQUANT EFFECT THE MOST DELICATE TOUCH PROMISING A MASTERPIECE. 2, 3, 4 HOURS GONE BY AND SOMETHING AS APPEALING AS A TITIAN, MICHELANGELO IS LEFT TO POSTERITY..... AFTERWARDS, ONCE HIS EXCITEMENT HAS SUBSIDED, HE REALIZES..... HE HAD FORGOTTEN TO USE THE BRUSH.
Honoré Daumier
The Absent-Minded. This artist, after having been to the Salon, is seized by a sublime inspiration and approaches his canvas. All of a sudden, tones of music, the most piquant effect the most delicate touch promising a masterpiece. 2, 3, 4 hours gone by and something as appealing as a Titian, Michelangelo is left to posterity..... Afterwards, once his excitement has subsided, he realizes..... he had forgotten to use the brush.
1841