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Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

1815

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Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

1815

Physical Qualities Etching and aquatint, 216 × 323 mm. (8 1/2 × 12 11/16 in.)
Credit Line Blanche Adler Memorial Fund
Object Number 1949.2
edition?

Artist

Francisco José de Goya y Lucientes

1745–1827

Spanish, 1746-1828
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BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
PORTRAIT OF A MAN HOLDING A SWORD
Frédéric Laguillermie and Francisco José de Goya y Lucientes
Portrait of a Man Holding a Sword
1860–2000
PALENQUE DE LOS MOROS HECHO CON BURROS PARA DEFENDERSE DEL TORO EMBOLADO (THE MOORS USE DONKEYS AS A BARRIER TO DEFEND THEMSELVES AGAINST THE BULL WHOSE HORNS HAVE BEEN TIPPED WITH BALLS)
Francisco José de Goya y Lucientes
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)
1815
THE CUSTODY IS AS BARBAROUS AS THE CRIME
Francisco José de Goya y Lucientes
Un prisionero
1819
PHILOSOPHER IN CONTEMPLATION
Hamlet Winstanley and Rembrandt van Rijn
Philosopher in Contemplation
1727
MAY GOD REPAY YOU
Francisco José de Goya y Lucientes
Dios se lo pague a usted
1803
CHRIST AND HIS BRIDE ECCLESIA
Adriaen Collaert and Philips Galle
Ego flos campi, et lillium convallium . . .
1581–1591
THE SCARE-CROWS
Francisco José de Goya y Lucientes
The Scare-Crows
1814–1822
UN CABALLERO ESPANOL EN PLAZA QUEBRANDO REJONCILLOS SIN AUXILIO DE LOS CHULOS (A SPANISH MOUNTED KNIGHT IN THE RING BREAKING SHORT SPEARS WITHOUT THE HELP OF HIS ASSISTANTS)
Francisco José de Goya y Lucientes
Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish mounted knight in the ring breaking short spears without the help of his assistants)
1815
Una Reina del Circo
Francisco José de Goya y Lucientes
Una Reina del Circo
1814–1823
Claes Oldenburg
Proposed Colossal Monument for Grand Army Plaza, New York City: Baked Potato (Thrown Version)
1964
THE ELEPHANT - OTRAS LEYES POR EL PUEBLO
Francisco José de Goya y Lucientes
The Elephant - Otras Leyes por el Pueblo
1813–1824
A PRESUMPTUOUS HEIR. FIRST PHILOSOPHY LESSON GIVEN BY THE NURSE JABUTOT TO HER STUDENT; WHILE SHE DEVOTES HERSELF TO DANCING, SHE GIVES HIM A GLIMPSE OF THE DIFFICULTIES OF A SOCIAL POSITION, AND TEACHES HIM THAT DURING THE COURSE OF LIFE, MAN REMAINS OCCASIONALLY IN SUSPENSE!
Honoré Daumier
L'héritier présomptif. Première leçon de philosophie donnée par la nourrice Jabutot à son élève; pendant qu'elle se livre à la danse, elle lui fait entrevoir les difficultés d'une position sociale; et lui apprend que dans le cours de la vie, l'homme reste parfois en suspens!......
1842