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Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)
Public Domain

Francisco José de Goya y Lucientes

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)

1816

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Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)

Francisco José de Goya y Lucientes

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)

Francisco José de Goya y Lucientes

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)

1816

Physical Qualities Etching, aquatint, and drypoint, 245 × 350 mm. (9 5/8 × 13 3/4 in.)
Portfolio/Series Plate 17 from the series "La Tauromaquia (The Bullfight)"
Credit Line Bequest of Florence Kirk Keppel
Object Number 2002.643
The Baltimore Museum of Art by gift, 2002; Florence Kirk Keppel Collection, Westminster, Maryland

Signed: 1

Inscribed: [Check verso when unframed].

Markings: WM: at upper right, cropped

Not on View

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PRINTS, DRAWINGS & PHOTOGRAPHS
PORTRAIT OF A MAN HOLDING A SWORD
Frédéric Laguillermie and Francisco José de Goya y Lucientes
Portrait of a Man Holding a Sword
n.d.
LOS MOROS HACEN OTRO CAPEO EN PLAZA CON SU ALBOREZ (THE MOORS MAKE A DIFFERENT PLAY IN THE RING CALLING THE BULL WITH THEIR BURNOUS)
Francisco José de Goya y Lucientes
Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)
1816, printed 1855 or later
THE CUSTODY IS AS BARBAROUS AS THE CRIME
Francisco José de Goya y Lucientes
The Custody is as Barbarous as the Crime
c. 1820, printed later
EL CELEBRE FERNANDO DEO TORO, BARILARGUERO, OBLIGANDO A LA FIERA CON SU GARROCHA (THE CELEBRATED PICADOR, FERNANDO DEL TORO, DRAW THE FIERCE BEAST ON WITH HIS PIQUE)
Francisco José de Goya y Lucientes
El Celebre Fernando deo toro, barilarguero, obligando a la fiera con su garrocha (The celebrated picador, Fernando del Toro, draw the fierce beast on with his pique)
1816
MAY GOD REPAY YOU
Francisco José de Goya y Lucientes
May God repay you
c. 1804, printed later
LANDSCAPE, WITH A PROCESSION TO THE TEMPLE OF APOLLO, ON THE ISLAND OF DELOS
Richard Earlom, Claude Lorrain, and others
Landscape, with a Procession to the Temple of Apollo, on the Island of Delos
1775
THE SCARE-CROWS
Francisco José de Goya y Lucientes
The Scare-Crows
1815-1823
PHILOSOPHER IN CONTEMPLATION
Hamlet Winstanley and Rembrandt van Rijn
Philosopher in Contemplation
1728
Una Reina del Circo
Francisco José de Goya y Lucientes
Una Reina del Circo
1815-1824, printed before 1877
THE ELEPHANT - OTRAS LEYES POR EL PUEBLO
Francisco José de Goya y Lucientes
The Elephant - Otras Leyes por el Pueblo
1814-1825, printed before 1877
THE PARABLE OF THE LOST SHEEP
Antonius Wierix II and Bernadino Passeri
The Parable of the Lost Sheep
1593