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Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)
Public Domain

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

1816, printed 1855 or later

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Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

Francisco José de Goya y Lucientes

Los moros hacen otro capeo en plaza con su alborez (The Moors make a different play in the ring calling the bull with their burnous)

1816, printed 1855 or later

Physical Qualities Etching and aquatint, 216 × 323 mm. (8 1/2 × 12 11/16 in.)
Portfolio/Series Plate 6 from the series "La Tauromaquia (The Bullfight)"
Credit Line Blanche Adler Memorial Fund
Object Number 1949.2
Not on View

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BY SAME ARTIST
PRINTS, DRAWINGS & PHOTOGRAPHS
PORTRAIT OF A MAN HOLDING A SWORD
Frédéric Laguillermie and Francisco José de Goya y Lucientes
Portrait of a Man Holding a Sword
n.d.
PALENQUE DE LOS MOROS HECHO CON BURROS PARA DEFENDERSE DEL TORO EMBOLADO (THE MOORS USE DONKEYS AS A BARRIER TO DEFEND THEMSELVES AGAINST THE BULL WHOSE HORNS HAVE BEEN TIPPED WITH BALLS)
Francisco José de Goya y Lucientes
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors use Donkeys as a Barrier to defend themselves against the bull whose horns have been tipped with balls)
1816
THE CUSTODY IS AS BARBAROUS AS THE CRIME
Francisco José de Goya y Lucientes
The Custody is as Barbarous as the Crime
c. 1820, printed later
PHILOSOPHER IN CONTEMPLATION
Hamlet Winstanley and Rembrandt van Rijn
Philosopher in Contemplation
1728
MAY GOD REPAY YOU
Francisco José de Goya y Lucientes
May God repay you
c. 1804, printed later
UN CABALLERO ESPANOL EN PLAZA QUEBRANDO REJONCILLOS SIN AUXILIO DE LOS CHULOS (A SPANISH MOUNTED KNIGHT IN THE RING BREAKING SHORT SPEARS WITHOUT THE HELP OF HIS ASSISTANTS)
Francisco José de Goya y Lucientes
Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish mounted knight in the ring breaking short spears without the help of his assistants)
1816, printed 1855 or later
THE SCARE-CROWS
Francisco José de Goya y Lucientes
The Scare-Crows
1815-1823
Una Reina del Circo
Francisco José de Goya y Lucientes
Una Reina del Circo
1815-1824, printed before 1877
THE DORMITORY OF A DISTIGUISHED BOARDING SCHOOL. - ATTENTION... ON THE FIRST CLAP THAT I STRIKE WITH MY HANDS YOU WILL PLACE YOUR HEAD ON THE PILLOW. AT THE SECOND, YOU WILL CLOSE YOUR EYES... ON THE THIRD CLAP YOU WILL ALL SLEEP.
Honoré Daumier
The Dormitory of a Distiguished Boarding School. - Attention... on the first clap that I strike with my hands you will place your head on the pillow. At the second, you will close your eyes... on the third clap you will all sleep.
1846
THE ELEPHANT - OTRAS LEYES POR EL PUEBLO
Francisco José de Goya y Lucientes
The Elephant - Otras Leyes por el Pueblo
1814-1825, printed before 1877
UN SERVICE D'AMI. A LA BONNE HEURE AU MOINS.... VOUS N'ÊTES PAS COMME CE PETIT PARESSEUX DE JULIEN... VOUS SAVEZ VOTRE LEÇON SUR LE BOUT DE VOTRE DOIGT!... - VIEUX JOBARD VA... C'EST SUR LE BOUT DU MIEN QU'IL LA SAIT!... (CETTE RÉFLEXION PHILOSOPHIQUE MAIS HARDIE N'EST ÉMISE PAR MR. JULIEN QU'À VOIX TRÈS BASSE).
Honoré Daumier
Un Service D'Ami. A la bonne heure au moins.... vous n'êtes pas comme ce petit paresseux de Julien... vous savez votre leçon sur le bout de votre doigt!... - Vieux jobard va... c'est sur le bout du mien qu'il la sait!... (Cette réflexion philosophique mais hardie n'est émise par Mr. Julien qu'à voix très basse).
1845