Madonna and Child Enthroned with Two Angels and Four Saints

1300

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Niccolo di Pietro Gerini

Madonna and Child Enthroned with Two Angels and Four Saints

Niccolo di Pietro Gerini

Madonna and Child Enthroned with Two Angels and Four Saints

1300

Physical Qualities Tempera and gilding on wood panel, 30 1/4 x 18 1/8 in. (76.8 x 46 cm.)

Credit Line Bequest of Saidie A. May

Object Number 1951.390

The Baltimore Museum of Art by bequest, 1951; The Baltimore Museum of Art on extended loan, 1939-1951; Saidie A. May, The Park Lane, New York City, United States, by purchase, [1925?], before c. 1923-33; Gav. Prof. Giuseppe Volterra, Via Tornabuoni 12 Firenze.

The Baltimore Museum of Art, ‘Saidie A. May Collection,’ September 6-October 222, 1972, p. 39, ill.

B. Berenson, “Italian Pictures of the Renaissance - Florentine School”, vol 1, London: Phaidon Press, 1963, p. 158.

B. B. Fredericksen and F. Zeri., “Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections”, Cambridge, MA: Harvard University Press, 1972, p. 81.

M. Boskovitz, “Pittura Fiorentina alla vigilia del Rinascimento”, Florence: Eadam, 1975, p. 403.

R. Fremantle, “Florentine Gothic Painters from Giotto to Masaccio”, London: Secker and Warburg, 1975, p. 330, no, 684.

*Bruce Cole, “Circle of Niccolo di Pietro Gerini: ‘Madonna and Child with Five Angels,"' in Gertrude Rosenthal ed. "Italian Paintings: XIV - XVIIIth Centuries from the collections of The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1981, pp. 67-73, ill. p. 66.

Richard Offner, A Critical and Historical Corpus of Florentine Painting: A Legacy of Attributions, edited by Hayden B.J. Maginnis. The Institute of Fine Arts, New York University. Locust Valley, New York: J.J. Augustin Publisher, 1981, p. 86, fig. 165.

*Susan L. Caroselli, “Italian Panel Painting of the Early Renaissance In the Collection of the Los Angeles County Museum of Art”, Los Angeles, CA: Museum Associates, Lost Angeles County Museum of Art, 1994, p. 95.