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Man’s Seat - Image 1
Man’s Seat - Image 2
Man’s Seat - Image 3
Man’s Seat - Image 4
Man’s Seat - Image 5
Man’s Seat - Image 6
Man’s Seat - Image 7

Pessare Dah and Lobi

Man’s Seat

Lobi, Mid-20th century

Man’s Seat — thumbnail 1
Man’s Seat — thumbnail 2
Man’s Seat — thumbnail 3
Man’s Seat — thumbnail 4
Man’s Seat — thumbnail 5
Man’s Seat — thumbnail 6
Man’s Seat — thumbnail 7
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Man’s Seat

Lobi, Mid-20th century

Physical Qualities Wood, 7 5/8 x 17 1/2 x 4 13/16 in. (19.4 x 44.5 x 12.3 cm.)
Credit Line Gift of Phyllis K. and A. Harvey Schreter, Baltimore
Object Number 1996.125
The swelling cheeks and prominent jawlines of the male and female figures on this man's seat tell us that it was likely created by prominent Lobi furniture maker Pessare Dah. Dah was an artist of many talents. Although he is best known for his skill on the balafon - a xylophone-like instrument played across West Africa - he was also an accomplished sculptor. Over the course of his life, he created a range of wooden artworks for clients in and around the city of Tankoura.
Nichole Bridges, The Baltimore Museum of Art, "Hand Held: Personal Arts from Africa," Sept. 25, 2011-Feb. 5, 2012.
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p.216, ill.

Artist

Pessare Dah

Burkinabé, 1946 - 1995

Meet Pessare Dah

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