Reiko Sudo, Mizue Okada, and others
Origami Pleats
1996-2001
Scroll
- Designer: Reiko Sudo
- Designer: Mizue Okada
- Designer: Hiroko Suwa
- Manufacturer: Nuno Corporation
Origami Pleats
1996-2001
Physical Qualities
Polyester, Before Pleating: 115 1/2 x 25 1/4 in. (293.4 x 64.1 cm.)
Collapsed: 88 x 3 x 4 in. (223.5 x 7.6 x 10.2 cm.)
Credit Line
Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number
2002.50
By combining traditional Japanese crafts with modern technologies, NUNO Corporation has gained a worldwide reputation as one of today’s most influential and innovative producers of textiles. Origami Pleats, inspired by a staff member nonchalantly folding paper chopstick wrappers at the lunch table, provided a new twist on the old craft. Polyester—a 20th century fabric that withstands heat pressing and holds pleats indefinitely— was substituted for paper. The material was hand-folded and heat-set into peaks and valleys, while color was simultaneously transferred from colored paper sheets. The result is a sculptural yet fluid material with a magical ability to fold itself into a flat ribbon.
Origami Pleat was inspired by a NUNO staff member nonchalantly folding paper chopstick wrappers at the lunch table. In a new twist on the old craft, polyester—a 20th-century fabric that can withstand heat pressing and hold pleats indefinitely—was substituted for paper. The fabric was hand-folded and heat-set into peaks and valleys, with color simultaneously added by heat transfer printing from colored paper sheets. The result is a sculptural yet fluid material with a magical ability to fold itself into a flat ribbon.
The Baltimore Museum of Art by purchase, 2002; textile was purchased directly from manufacturer
NUNO: Japanese Tradition/Innovation in Cloth
New Arrivals: Gifts of Art for a New Century
BMA Today, Spring 2007, p.9, illus.
Anita Jones, NUNO: Japanese Tradition/Innovation in Cloth, The Baltimore Museum of Art, March 28 - October 14, 2007 (extended from October 7th), brochure, p. 4, illus. on cover.
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998, pp. 26, 80, fig. #45.
Inscribed: None.
