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Reiko Sudo, Mizue Okada, and others

Origami Pleats

1996-2001

Scroll

Origami Pleats

1996-2001

Physical Qualities Polyester, Before Pleating: 115 1/2 x 25 1/4 in. (293.4 x 64.1 cm.) Collapsed: 88 x 3 x 4 in. (223.5 x 7.6 x 10.2 cm.)
Credit Line Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number 2002.50
By combining traditional Japanese crafts with modern technologies, NUNO Corporation has gained a worldwide reputation as one of today’s most influential and innovative producers of textiles. Origami Pleats, inspired by a staff member nonchalantly folding paper chopstick wrappers at the lunch table, provided a new twist on the old craft. Polyester—a 20th century fabric that withstands heat pressing and holds pleats indefinitely— was substituted for paper. The material was hand-folded and heat-set into peaks and valleys, while color was simultaneously transferred from colored paper sheets. The result is a sculptural yet fluid material with a magical ability to fold itself into a flat ribbon. Origami Pleat was inspired by a NUNO staff member nonchalantly folding paper chopstick wrappers at the lunch table. In a new twist on the old craft, polyester—a 20th-century fabric that can withstand heat pressing and hold pleats indefinitely—was substituted for paper. The fabric was hand-folded and heat-set into peaks and valleys, with color simultaneously added by heat transfer printing from colored paper sheets. The result is a sculptural yet fluid material with a magical ability to fold itself into a flat ribbon.
The Baltimore Museum of Art by purchase, 2002; textile was purchased directly from manufacturer
NUNO: Japanese Tradition/Innovation in Cloth

New Arrivals: Gifts of Art for a New Century
BMA Today, Spring 2007, p.9, illus.
Anita Jones, NUNO: Japanese Tradition/Innovation in Cloth, The Baltimore Museum of Art, March 28 - October 14, 2007 (extended from October 7th), brochure, p. 4, illus. on cover.
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998, pp. 26, 80, fig. #45.

Inscribed: None.

Designer

Reiko Sudo

1952–2000

Japanese, born 1953
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Designer

Mizue Okada

2000–2000

Japanese
Meet Mizue →

Designer

Hiroko Suwa

2000–2000

Japanese
Meet Hiroko →

Manufacturer

Nuno Corporation

1983–2000

Tokyo, 1984-present
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