Reiko Sudo and Nuno Corporation
Patched Paper (Yaburegami)
1996
Scroll
Physical Qualities
Polyester, paper (mino washi), 144 3/4 × 43 1/4 in. (367.7 × 109.9 cm.)
Credit Line
Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number
2002.58
Patched Paper borrows its technique from traditional Japanese brocades
(nishiki, karaori), which were woven with wefts composed of thin sheets of
metallic foil or gold and silver gilded paper (kinran, ginran) cut into long
slender threads called “slit yarns.” Years of apprenticeship were required to
master the skill of weaving these metallic elements so that they would lie
flat without twisting or folding. In Patched Paper, slit yarns cut from Mino
washi, a strong, handmade paper used in Japan for sliding doors, replace
the gilded paper yarns of older weaves, while sheer polyester threads
replace those of silk that formerly composed the rest of the fabric.
Although experienced brocade weavers were employed to produce Patched
Paper, the opposite effect of the traditional fabrics is achieved as the paper
slit yarns are cut throughout, giving a frazzled, frayed, shredded surface.
The Baltimore Museum of Art by purchase, 2002; textile was purchased directly from manufacturer
NUNO: Japanese Tradition/Innovation in Cloth
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998, pp. 29, 87, fig. #52.
Inscribed: None.
