Skip to main content
Point de France Needle Lace Furnishing Flounce - Image 1
Point de France Needle Lace Furnishing Flounce - Image 2
Point de France Needle Lace Furnishing Flounce - Image 3
Point de France Needle Lace Furnishing Flounce - Image 4
Point de France Needle Lace Furnishing Flounce - Image 5
Point de France Needle Lace Furnishing Flounce - Image 6
Point de France Needle Lace Furnishing Flounce - Image 7
Point de France Needle Lace Furnishing Flounce - Image 8

Point de France Needle Lace Furnishing Flounce

1667-1699

Thumbnail 1
Thumbnail 2
Thumbnail 3
Thumbnail 4
Thumbnail 5
Thumbnail 6
Thumbnail 7
Thumbnail 8
Scroll

Point de France Needle Lace Furnishing Flounce

1667-1699

Physical Qualities Linen, Overall: 105 × 23 in. (266.7 × 58.4 cm.)
Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number 1950.2022.270
Lace was once one of the most valuable textiles in Europe, frequently produced in convents and orphanages to adorn the clothing and furnishings of the wealthy. Its astronomical cost compelled King Louis XIV of France (1638–1715) to pass a law in 1660 barring French courtiers from buying foreign lace and thus spending vast sums outside the domestic economy. In response, the Controller-General of Finances Jean-Baptiste Colbert (1619–1683) established royal lace manufacturers across France, enticing foreign lacemakers to train local women. Royal support of the French lace industry enabled the production of incredibly fine work—taking at least one hour per square inch to make—on a massive scale. Point de France, as the new style came to be called, had a symmetrically repeated miniature pattern and was lightweight. Numerous hands would have created this wide decorative flounce, likely made for a bed, depicting a garden scene with a regal figure—perhaps Louis XIV himself.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, MD by bequest, 1929; Claribel Cone, Baltimore, MD by purchase, 1925; Beulah M. Delford, Baltimore, MD
Weibel, Adele Coulin. Curator Emeritus of Textiles and Near Eastern Art, Detroit Institute of Arts [sic?]. "A Royal Flounce of Point de France." Unpublished manuscript. Cone Archives. The Baltimore Museum of Art. p. 2.
Andre, Linda, and Routhier, Jessica Skwire. Eds. The Baltimore Museum of Art: Celebrating A Museum. Baltimore, Maryland: Baltimore Museum of Art, 2014, pp.128-129.
Berliner, Rudolf Berliner. Ornamentale vorlage-Blätter, Des 15.Bis 18 Jahrhunderts. Verlag/Leipzig: Klinkhardt & Biermann, 1925. Design by Jean Louis Bérain (1636-1711), pl. 325, no. 1.

Explore the Collection Further

HIGHLIGHTS
TEXTILES
Jan Anthonie Karstan
Needlepoint Chatelaine Purse
1899–1924
Milanese Bobbin Lace Flounce for an Alb
1666–1732
Gros Point de Venise Lace Collar
1600–1699
Honoré Daumier
Une Visite à la Bibliothèque. - Dis donc, ma femme, on nous a dit de n'point les déranger ceux qui étiont dans c'te salle parce qu'y travaillent.... Ça des travailleux, c'est pus tôt des faignans y n'bougeons même point!... --- Provinciaux ayant tenu à voir Paris du haut de la Colonne de Juillet, et bien convaincus qu'on a fait une révolution en 1830, uniquement pour avoir le prétexte de Construire un observatoire sur la place de la Bastille.
1852
Lilly Fitzgerald
Necklace
2002–2012
Unidentified, probably American and Paris Mint
"Louis XII of France" Medal
1899–1959
Charles J.F. Chéron
"Louis XIV (1638–1715), King of France (1643–1715)" Medal
1899–1959
Unidentified
"Henry II, King of France" Medal
1899–1959
Darrel Ellis
Untitled (Manhattan Skyline from Greenpoint Pier)
1983–1993
Darrel Ellis
Untitled (Manhattan Skyline from Greenpoint Pier)
1983–1993
Doyle Lane
Necklace
1969–1979
Joyce J. Scott
Necklace
1983–1985