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Portrait of a Young Lady
Public Domain

Lavinia Fontana

Portrait of a Young Lady

1590-1600

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Lavinia Fontana

Portrait of a Young Lady

1590-1600

Physical Qualities Oil on wood panel, 45 7/8 x 34 1/2 in. (116.5 x 87.6 cm.)
Credit Line The Mary Frick Jacobs Collection
Object Number 1938.173
With a doorway behind her open to a distant garden, this elegant and unidentified woman displays her wealth and intellectual interests. She clutches a book in her left hand; her fashionable gown sparkles with gold embroidery and features fine lace sleeves and an elaborate collar, both likely made by women and girls from local orphanages or convents. The portrait’s fashion and setting situate it in Bologna, an Italian city distinguished for its promotion of women artists and patrons around the turn of the 17th century. Like the sitter, the artist responsible for this work remains unidentified. At some point in its history, the composition was damaged, presenting challenges in determining the painting’s authorship. Ongoing research suggests that it may have been painted by Bolognese artist Lavinia Fontana, or possibly her father, Prospero Fontana (1512–1597), with whom she trained in the late 1560s or early 1570s.
The Baltimore Museum of Art by bequest, 1938; Mary Frick Jacobs, Baltimore, by 1927; probably C. Fairfax Murray; William Ward, 1st Earl of Dudley, until 1892; Christie's, London, June 25, 1892, lot 48 (as Paris Bordone).
The Royal Academy of Arts, “Exhibition of the Works of the Old Masters, Associated with Works of Deceased Masters of the British School,” London, 1871 (cat. no. 371 as “Portrait of a Young Lady” by Paris Bordone).
Henry Barton Jacobs, The Collection of Mary Frick Jacobs (Baltimore, 1938), no. 34, ill.
Gertrude Rosenthal and Malcolm Campbell, Italian Paintings XIV-XVIII Centuries From the Collection of The Baltimore Museum of Art (Baltimore: Baltimore Museum of Art, 1980), 203-213, ill. p. 202.
Claudio Pizzorusso, Ricerche su Christofano Allori (Florence: Olschki, 1982), pp. 37-38, figs. 7-8.
Ellis Waterhouse, “Review, Italian Paintings… BMA,” Burlington Magazine, vol. 124, no. 250 (May 1982), 303.
Marta Ajmar-Wollheim and Flora Dennis, eds., At Home in Renaissance Italy (London: V&A Publications, 2006), no. 24.10, p. 349, ill.

Artist

Lavinia Fontana

Italian, 1552-1614

Italian, 1552-1614
Meet Lavinia Fontana

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