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Portrait of Henri Vigneau
Public Domain

Édouard Manet

Portrait of Henri Vigneau

1869

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Édouard Manet

Portrait of Henri Vigneau

1869

Physical Qualities Pen and ink, Sheet: 199 x 143 mm. (7 13/16 x 5 5/8 in.)
Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number 1950.12.654
Head of a man with a mustache in 3/4 view turned to the right.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, 1936; Galerie Rosengart, Lucerne, 1927; Collection Werner (?) Feuz, Zurich; purchased from the Degas Sale by Arthur Fouques Duparc, according to Ives, et al, 1997, p. 89; Sale Degas, Galerie Georges Petit, Paris, March 26-27, 1918, no. 220; Edgar Degas, Paris, 1884; Sale Manet, Hôtel Drouot, Paris, Feb. 4-5, 1884, no. 158; Mme. Manet
Ecole des Beaux Arts, Paris, 'Exposition Posthume Manet', 1884, no. 169.

The Baltimore Museum of Art, 'From Ingres to Gauguin', Nov.-Dec. 1951, p. 33, no. 96.

The Baltimore Museum of Art, 'Manet, Degas, Berthe Morisot and Mary Cassatt', April 18-June 3, 1962, p. 52, no. 15.

Anne Coffin Hanson, Philadelphia Museum of Art, 'Edouard Manet', Nov. 3-Dec. 11, 1966, p. 160-61, no.147, (circulated to the Art Institute of Chicago, Jan. 13-Feb. 19, 1967).

Kimio Nakayama, Isetan Museum of Art, Tokyo 'Edouard Manet', June 26-July 29, 1986, p. 165, no. 46, ill. p. 82, (circulated to Fukuoka Art Museum, Fukuoka, August 3-31, 1986; Osaka Regional Museum, Osaka, Sept. 7-Oct. 10, 1986).

The Baltimore Museum of Art, 'As Artists See Us: Drawings from the Museum Collection', May 14-Aug. 11, 1991.

Jay Fisher, BMA, "Matisse, Picasso and Friends: Masterworks on Paper from The Cone Collection," 7 June - 27 August, 1995.

Jay Fisher, "Matisse, Picasso and Friends: Masterworks on Paper from the Cone Collection," The Cleveland Museum of Art, 17 November, 1996 - 19 January, 1997; Seattle Art Museum 20 February - 20 April, 1997; The Museum of Fine Arts, Houston 18 May - 13 July, 1997.
Fisher, Jay McKean, et al. The Essence of Line: French drawings from Ingres to Degas. University Park, PA: Pennsylvania State University Press, 2005. p.286-89, ill.
Jay McKean Fisher, "Manet's illustrations for 'The Raven': Alternatives to traditional lithography," in Pat Gilmour, editor, Lasting Impressions: Lithography as Art, Canberra: Australian National Gallery, 1988, pp. 91-109, ill. p. 105.
Brenda Richardson, Dr. Claribel & Miss Etta: The Cone Collection of The Baltimore Museum of Art, Baltimore, 1985, p. 189.
Dumas, Ann, Colta Ives, Susan Alyson Stein, and Gary Tinterow. The Private Collection of Edgar Degas. New York: Metropolitan Museum of Art, 1997, page 45, fig. 58.
Ann Coffin Hanson, Manet and the Modern Tradition, New Haven and London, Yale University Press, 1977, p. 163, note 148 and ill. no. 105.
M. Bodelson, "Early Impressionist Sales, 1874-1894," Burlington Magazine (June 1968), p. 343.
The Baltimore Museum of Art, Paintings, Sculpture and Drawings in the Cone Collection, 1967, p. 72, no. 185.
Adolphe Tabarant, Manet et ses oeuvres, Paris: Gallimard, 1947, p. 622, no. 668.
A. Chatté, "Notes sur Manet, V. La Vente Manet en 1884 (4-5 fèvrier), Journal des Curieux, (March 10, 1907); p. 12, no. 27
E. Bazire, Manet, Paris, 1884, p. 31.

Inscribed: RECTO: LLQ, ink, 'Manet'.

Markings: Faded "E M" stamp in ink at lower right.

Artist

Édouard Manet

French, 1832-1883
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