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Rocks

Matta

Rocks

1940

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Matta

Rocks

1940

Physical Qualities Oil on canvas, Unframed: 38 1/8 × 60 1/8 in. (96.8 × 152.7 cm.) Framed: 43 × 65 × 3 3/4 in. (109.2 × 165.1 × 9.5 cm.)
Credit Line Bequest of Saidie A. May
Object Number 1951.335
Matta’s canvas seethes with the pulsating primordial energy and violence of nature’s creative and destructive forces. Vaporous washes of poured and wiped paint create organic forms, which rain from the sky upon the scarred earth. The artist seemed to draw a parallel between the cataclysmic forces of nature and the man made destruction engulfing Europe at the time he created this composition. Of all the Surrealists who emigrated from Paris to New York at the beginning of World War II, Matta became the most actively involved in the city’s artistic community, influencing younger painters such as Robert Motherwell (1915–1991) and Jackson Pollock (1912–1956). By introducing the experimental techniques and theoretical principles of French Surrealism to his adopted home, Matta played an important role in the development of American art after the war.
The Baltimore Museum of Art by bequest, 1951; Saidie A. May, by purchase, 1941; from Pierre Matisse Gallery
The Baltimore Museum of Art, "The Saidie A. May Collection of Modern paintings and Sculpture", March 17-April 16, 1950, cat. 76, (exhibited as "Blue and Yellow Composition").

Elizabeth Smith, Museum of Contemporary Art, Chicago and Colette Dartnall, The Museum of Contemporary Art, Los Angeles, "Matta in America: Paintings and Drawings of the 1940s", tour to The Museum of Contemporary Art, Los Angeles, September 30, 2001 - January 6, 2002; Miami Art Museum, March 21, 2002-June 10, 2002; Museum of Contemporary Art, Chicago, June 29, 2002-October 20, 2002.

Katy Rothkopf, "Matisse, Picasso and the School of Paris", circulated to; North Carolina Museum of Art, October 10, 2004-January 16, 2005.
The Baltimore Museum of Art News, “Catalogue of the Saidie A. May Collection of Modern Paintings and Sculpture,” March, 1950, cat. 76, p. 19.
Sotheby's: Latin American Art, New York: May 26 & 27, 2004, p.56, ill.
Museum of Contemporary Art, Chicago, "Matta in America: Paintings and Drawings of the 1940s," Chicago: 2002, p. 15, jacket.
Michael Preble, "William Baziotes: Paintings and Drawings, 1934 - 1962." Italy: Skira Editore, S.p.A., 2004, p.18, ill. 4.
Greeley, Robin Adele, Samantha Kavky, Oliver Shell, and Oliver Tostmann. "Monsters & Myths: Surrealism and War in the 1930s and 1940s." New York, NY: Rizzoli Electa in association with The Baltimore Museum of Art and Wadsworth Atheneum Museum of Art, 2018, ill.

Artist

Matta

Chilean, 1911-2002

Meet Matta

Explore the Collection Further

Matta
Forms in a Landscape
1937
Elizabeth Talford Scott
Rocks in Prison
1993
Matta and VVV
Untitled
1942, published 1943
Michael Olszewski
Like Two Rocks
1995
Matta and Georges Visat
Laugh of Love
1968
Armand Guillaumin and Ambroise Vollard
The Red Rocks
1896
Matta, Editions M. Hertz, and others
The Mooner
1959
Yao Lu
Yaolu's new Landscape I-06 View of waterfall with rocks and pines
2007
Samuel Howitt
Two Fishermen Climbing Rocks by Waterfall
n.d.
Anthonie Waterloo
The Barren Rocks
1640-1690