Skip to main content
Rococo Revival Voided Ciselé Velvet with Arbor Design - Image 1
Rococo Revival Voided Ciselé Velvet with Arbor Design - Image 2

Arthur Martin Studio (c. 1860-1914), Maison Hamot, and others

Rococo Revival Voided Ciselé Velvet with Arbor Design

1859-1878

Thumbnail 1
Thumbnail 2
Scroll

Rococo Revival Voided Ciselé Velvet with Arbor Design

1859-1878

Physical Qualities Silk, 62 x 25 5/8 in. (157.5 x 65.1 cm.)
Credit Line Textile Acquisition Fund
Object Number 2007.314
During the mid-to-late 19th century, Victorian tastes in Western Europe and America embraced revivals of many previously known styles. With its pastoral trophies, garlands, acanthus scrolls, brackets, and vases overflowing with flowers, this fabric echoes rococo themes of the 18th century. An element of that era's taste for chinoiserie or oriental exoticism is seen in the crescent-topped canopy surrounded by floral sprays and birds. This lavish fabric is the product of Maison Hamot, a prestigious firm in the history of the French silk industry. Founded in 1762, during the reign of Louise XV, it remained in the hands of the same family and produced silks, carpets, and tapestries for generations of wealthy Europeans until ceasing production in 1999. A testament to the highly developed skills of Hamot's silk weavers, this fabric combines a champagne-pink cannetillé ground( woven with short ribs on the surface to give the appearance of small monochrome checks), with a ciselé (cut and uncut pile) velvet where the multicolored pile is carefully designed to give the effect of lush natural textures and visual depth.
Baltimore Museum of Art by purchase, 2007; Cora Ginsburg, LLD, New York. NY; Private Collector by purchase, 2005 ; Maison Hamot.
Curator's Choice Rotation
Coutau-Bégarie,Olivier - commissaire priser, and Petitcol, expert, "Successsion Hamot," 2 ème vente, Drouot- Paris, 15 & 16 février 2005. lot 481 [note another example has same number, but is not of same design.]
Andre, Linda, and Jessica Skwire Routhier, eds. The Baltimore Museum of Art: Celebrating A Museum. Baltimore, Maryland: Baltimore Museum of Art, 2014, ill. p. 127.
Francesca Galloway and Sue Kerry, Neoclassicism to Pop, Part 1: Late 18th and 19th Century Textiles. Francesca Galloway in association with Antique Collectors' Club, 2007, p.170. (information about Arthur Martin Studio.)
French Textiles from the Middle Ages to the Second Empire, p. 174.
Fairchild's, p. 90)

Inscribed: Hamot company paper tag stapled to length of textile. Removed by conservator, Louise Wheatley, 6/17/08. (Stored in file): Handwritten in black ink: "us" "hsz" Printed: "No........pon [pattern]." Handwritten: "4488" "Velours 65 fd. [fond=ground?] rose/ Cannetille Tonnelle" [abor] Handwritten at lower right: "1.55" Stamped red: "NON EN MAGASIN" Second tag [dealer's] written in hand in pencil?: "W1662a/Furnishing panel of ciselé velvet w/floral vase, trellis, garlands, baldaquin, acanthus/scrolls in beige, blue, green, red, purple on pink; French, 1850s-60s; 61" x 25" oxo $2500-"

Designer

Arthur Martin Studio (c. 1860-1914)

2000–2000

Meet Arthur →

Manufacturer

Maison Hamot

1761–1998

French, 1762-1999
Meet Maison →

Manufacturer

Georges and René Hamot

2000–2000

French
Meet Georges →

Explore the Collection Further

BY SAME ARTIST
TEXTILES
Lamy et Giraud (1884-1910) now Prelle et Cie. (founded 1752) and Gillow & Co., Lancaster and London, 1728-1962 (later Waring & Gillow)
Baroque Revival Voided Ciselé Velvet with Central Urn and Floral Bouquet
1875
Ciselé Velvet in Mosaic or Hexagonal Design
1967–2014
Voided Ciselé Velvet with Ovals
1967–2014
Maison Hamot
Voided Ciselé Velvet with Peacock Feather Motif
1893–1903
Unknown and J.G. Valiant Company
Renaissance Revival Voided Cut Velvet
1909–1929
Eugene Kupjack, American (1912-1991) and Henry Kupjack
Rococo Revival Parlor in New Orleans, 1850-1860
1979
Walter Crane and Royal School of Art Needlework
Tea Cosy with Renaissance Revival Design
1884–1894
Shoowa and Unidentified
Prestige Cloth with Interlock Design
1899–1939
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Double Knot" Design
1949–1968
Kuba, Shoowa, and others
Prestige Cloth with Thick Pile and "Jagged Blocks" Design
1958–1986
Kuba
Woman's Scalloped Border Pile and Pierced Design Overskirt
1914–1929
Bamileke, Bamum, and others
Tunic with Leopard Design
1925–1949