Gabrielle-Marie Niel and A. Cadart
Ruines de l’Hôtel de Bretonvilliers à la Pointe de l’Ile St. Louis
1874
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- Artist: Gabrielle-Marie Niel
- Publisher: A. Cadart
Ruines de l’Hôtel de Bretonvilliers à la Pointe de l’Ile St. Louis
1874
Physical Qualities
Etching, Sheet: 266 × 357 mm. (10 1/2 × 14 1/16 in.)
Image: 205 × 292 mm. (8 1/16 × 11 1/2 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.2778
Beginning in the 1850s, French government official Georges
Haussmann (1809–1891) directed major renovations of
Paris’ infrastructure, including its water and sewer systems.
Charles Meryon’s etching shows a 17th-century pumphouse
that once supplied water to the city. After the water supply
system was modernized, the pumphouse was ordered to be
demolished by the municipal government. Meryon made
this detailed record of the structure, which was one of
several etchings he made chronicling Old Paris during this
period of transformation.
Similarly, Gabrielle Niel’s etching, created more than 20
years later, continues to document the changing urban
landscape. It depicts the void that was left following the
demolition of a grand 17th-century structure on the Île Saint
Louis that was torn down in 1874 to make space for new
bridges and a boulevard that would connect the left and
right banks of the Seine River.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art, through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Joanna Karlgaard and Robin Owen Joyce, BMA, "Deconstructing Nature: Environmental Transformation in the Lucas Collection," August 27, 2025 - January 11, 2026.
Inscribed: in image, upper right, in plate "G. Niel"
Markings: None
