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Reiko Sudo, Nuno Corporation, and others

Scrapyard – Iron Plates

1993

Scroll

Scrapyard – Iron Plates

1993

Physical Qualities Rayon, iron oxide (rust), Overall: 126 × 45 1/2 in. (320 × 115.6 cm.) Other (final length after hemming to create a casing): 123 3/4 in. (314.3 cm.)
Credit Line Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number 2002.52
Rust on fabric or walls inspires most of us to get out the bleach, but the designers at NUNO see opportunity instead. In the Scrapyard series, they printed with common rust, following in the footsteps of traditional Japanese dyers, who colored cloth using natural plants and materials. The process involves sandwiching rusted nails, barbed wire, or iron plates between layers of white rayon cloth, covering this assemblage with a blanket, and “putting it to bed” for a period of several days to a week. The oxidizing metal results in dramatic, intense red-brown designs being transfer printed onto the white fabric. The use of hand labor prevents any two pieces of Scrapyard from turning out exactly alike. But the hardest part is getting modern rust-retardant treated iron to cooperate. Acetic acid provides the required catalyst.
The Baltimore Museum of Art by purchase, 2002; textile was purchased directly from manufacturer
NUNO: Japanese Tradition/Innovation in Cloth
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998, pp. 25, 58, figs. #13, #22.

Inscribed: None.

Designer

Reiko Sudo

1952–2000

Japanese, born 1953
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Manufacturer

Nuno Corporation

1983–2000

Tokyo, 1984-present
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Technique developed by

Hiroko Suwa

2000–2000

Japanese
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Printers and Kazue Tamagawa

Hiroko Suwa

2000–2000

Japanese
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