Reiko Sudo, Nuno Corporation, and others
Scrapyard – Iron Plates
1993
Scroll
- Designer: Reiko Sudo
- Manufacturer: Nuno Corporation
- Technique developed by: Hiroko Suwa
- Printers and Kazue Tamagawa: Hiroko Suwa
Scrapyard – Iron Plates
1993
Physical Qualities
Rayon, iron oxide (rust), Overall: 126 × 45 1/2 in. (320 × 115.6 cm.)
Other (final length after hemming to create a casing): 123 3/4 in. (314.3 cm.)
Credit Line
Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number
2002.52
Rust on fabric or walls inspires most of us to get out the bleach, but the
designers at NUNO see opportunity instead. In the Scrapyard series,
they printed with common rust, following in the footsteps of traditional
Japanese dyers, who colored cloth using natural plants and materials.
The process involves sandwiching rusted nails, barbed wire, or iron
plates between layers of white rayon cloth, covering this assemblage
with a blanket, and “putting it to bed” for a period of several days to
a week. The oxidizing metal results in dramatic, intense red-brown
designs being transfer printed onto the white fabric. The use of hand
labor prevents any two pieces of Scrapyard from turning out exactly
alike. But the hardest part is getting modern rust-retardant treated iron
to cooperate. Acetic acid provides the required catalyst.
The Baltimore Museum of Art by purchase, 2002; textile was purchased directly from manufacturer
NUNO: Japanese Tradition/Innovation in Cloth
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998, pp. 25, 58, figs. #13, #22.
Inscribed: None.
