Paul Cézanne and François Puget
Sketch after Puget’s “Milo of Croton”
1884-1894
Scroll
Physical Qualities
Graphite, Sheet: 478 x 314 mm. (18 13/16 x 12 3/8 in.)
Credit Line
The Cone Collection, Bequest of Frederic W. Cone
Object Number
1950.12.657
Nude male with lion biting his buttocks.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1944; Frederic Cone; Galerie Rosengart, Lucerne; Galerie Thannhauser, Lucerne, before 1936 [per Venturi]; Galerie Bernheim-Jeune, Paris
The Essence of Line: French Drawings from Ingres to Degas
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2011-09-19 00:00:00
Cezanne: The Drawings
Hauptman, Jodi and Samantha Friedman (eds). Cézanne Drawing. New York: Museum of Modern Art, 2021 (second printing), p. 101, ill.
Stavitsky, Gail, and Katherine Rothkopf, eds. Cézanne and American Modernism. Montclair, NJ: Montclair Art Museum; Baltimore, MD: Baltimore Museum of Art; New Haven, [CT]: in association with Yale University Press, 2009, fig. 6, page 97.
Kosinski, Dorothy, Jay McKean Fisher, and Steven Nash. Matisse: Painter as Sculptor. Baltimore, MD: Baltimore Museum of Art; Dallas, TX: Dallas Museum of Art: Nasher Sculpture Center; New Haven: Yale University Press, 2007, page 32, fig. 31
Fisher, Jay McKean, et al. The Essence of Line: French drawings from Ingres to Degas. University Park, PA: Pennsylvania State University Press, 2005, p.152-53, ill.
The International Review published by The Drawing Society, Vol. XVII, No.1, May - June 1995, p.4, ill.
Adrien Chappuis, The Drawings of Paul Cézanne, Greenwich: New York Graphic Society, 1975, no. 976.
Clisby, Roger D. 19th & 20th Century Prints & Drawings from the Baltimore Museum of Art: Catalogue [of an exhibition held at the E. B. Crocker Art Gallery, November 3 - December 2, 1973, Honolulu Academy of Arts, January 18 - February 17, 1974, and William Hayes Ackland Memorial Art Center, April 2 - April 21, 1974]. [Sacramento, CA]: E. B. Crocker Art Gallery, 1973, cat. no. 7, unpaged.
Gertrude Berthold, Cézanne und die alten meister, Stuttgart: W. Kohlhammer, 1958, p. 90, no. 98.
The Baltimore Museum of Art, Paintings, Sculpture and Drawings in the Cone Collection, 1955, p. 19 (revised edition 1967, p. 72, no. 175, ill. p. 60).
Paul Sachs, Modern Prints and Drawings, New York: Alfred A. Knopf, 1954, Plate 30, p. 40.
The Baltimore Museum of Art, 'From Ingres to Gauguin', Nov.-Dec. 1951, p. 41, no. 148, ill. p. 41.
G. G. Görlich, Cézanne: 76 Disegni, Milan: Görlich, 1944, no. 23. Robert Rey, La Renaissance du sentiment classique, Paris: Les Beaux-Arts, n.d. [c. 1931], plate 1, p. 84.
J. Meier-Graefe, Cézanne und sein Kreis, Munich: Piper Verlag, 1922, p. 142. Joachim Gasquet, Cézanne, Paris: Bernheim Jeune, 1921, p. 114 (revised 1926, p. 190).
Lionello Venturi, Cézanne: son art, son oeuvre, Paris: Paul Rosenberg, 1936, no. 1446, plate 372.
Inscribed: None.
Markings: (Pale blue ink stamp, 'CONE', lost in aqueous conservation treatment, 1979. [see notes])
