Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for “Nymph and Faun” (refused etching)
20th century
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Study for “Nymph and Faun” (refused etching)
20th century
Physical Qualities
Etching, Sheet (trimmed within platemark): 330 x 250 mm. (13 x 9 13/16 in.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.12.694.19
refused etching for Duthuit 5.17. One of several preparatory etchings for this theme among the impressions described by Duthuit both as as études and as planches refusées.
BMA, "Henri Matisse: The Spirited Line--Works on Paper, 1898-1950, from the Museum Collection," 7 September - 2 November 1986.
Katy Rothkopf and Leslie Cozzi, The Baltimore Museum of Art, "A Modern Influence: Henry Matisse, Etta Cone, and Baltimore," October 3, 2021 - January 2, 2022.
Katy Rothkopf and Leslie Cozzi, The Baltimore Museum of Art, "A Modern Influence: Henry Matisse, Etta Cone, and Baltimore," October 3, 2021 - January 2, 2022.
Guillaud, Maurice, and Jacqueline Guillaud. Matisse: le rythme et la ligne. Paris: Guillaud Editions, 1987, plate no. 616 (published as “L’Après-midi d’un Faune; le faune et la nymphe”).
Cozzi, Leslie and Katherine Rothkopf (eds). "A Modern Influence: Henri Matisse, Etta Cone, and Baltimore." Baltimore: The Baltimore Museum of Art, 2021. ill.
Inscribed: lower left in pencil: "planche refusée / Henri Matisse"
Markings: No WM; chopmark: MALLARMET ET MATISSE
