Reiko Sudo, Hiroko Suwa, and others
Tanabata (or Tanabata Pleats)
2003
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- Designer: Reiko Sudo
- Designer: Hiroko Suwa
- Designer: Yuki Abe
- Manufacturer: Nuno Corporation
Tanabata (or Tanabata Pleats)
2003
Physical Qualities
Polyester, 276 x 30 in. (701 x 76.2 cm.) (before pleating)
Credit Line
The Jane and Worth B. Daniels, Jr. Fund
Object Number
2007.163
"Tanabata" combines the pleating and folding techniques of "Origami Pleat" with repeating splits or slits, resulting in a fabric with two degrees of transparency: the viewer sees through the cloth and beyond it simultaneously. It's name was inspired by the festival of Tanabata, the "star festival," held on the seventh day of the seventh month of the year when the two stars Vega and Altair appear together in the night sky. The Japanese celebrate this night by writing wishes on strips of colored paper and tying them to bamboo trees in hopes that their dreams will be fulfilled. With its pleated folds and numerous slits, "Tanabata" resembles these paper streamers.
The Baltimore Museum of Art by purchase, 2007; from the factory via Material Things, La Jolla,
California
California
"Making the Connection," The Baltimore Museum of Art, Annual Report 2007, p. 26, ill.
Anita Jones, "Recent Accession," BMA TODAY, Summer 2007, p. illustrated.
Leslie Millar, Ed., "The textiles of Reiko Sudo," in "2121: The Textile Vision of Reiko Sudo and Nuno," Epson: University College for the Creative Arts at Canterbury, Epson, Farnham, Maidstone and Rochester, 2005, pp. 11-14, p. 80, illus.
Keiko Kawashima (foreward), "Nuno and traditional sense and skill in Japan," in "2121: The Textile Vision of Reiko Sudo and Nuno," Epson: University College for the Creative Arts at Canterbury, Epson, Farnham, Maidstone and Rochester, 2005, pp. 8-10.
Keiko Kawashima (foreward), "Nuno and traditional sense and skill in Japan," in "2121: The Textile Vision of Reiko Sudo and Nuno," Epson: University College for the Creative Arts at Canterbury, Epson, Farnham, Maidstone and Rochester, 2005, pp. 8-10.
