In the 1980s Richard Bosman was preoccupied with rendering frozen moments of violent, suspenseful narratives in his prints and paintings. These disturbing scenes were inspired, in part, by memories of book covers and comics that he’d read when young. The figure mysteriously hurtling through space in The Fall is caught in limbo; the artist provides no clues about his identity, location, or action. Bosman enhances the drama of his ambiguous scenarios through his exploitation of roughly-hewn edges, bold forms, and strong contrasts of light and dark.