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The Fifth Child Burning - Image 1
The Fifth Child Burning - Image 2

Lonnie B. Holley

The Fifth Child Burning

1994

The Fifth Child Burning — thumbnail 1
The Fifth Child Burning — thumbnail 2
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Lonnie B. Holley

The Fifth Child Burning

1994

Physical Qualities Found materials from a burned house: wood table, book bag, detergent bottle, shoe, wall plaque, glass bowl, child's clothes, man's white sock, metal chair, wooden rocking chair, electrical cord, table lamp, window blinds, television, toaster oven, radios, cable box, electric can opener, videocassette recorder, roller skate, bed parts, burnt debris, 87 × 72 × 60 in. (221 × 182.9 × 152.4 cm.)
Credit Line Gift of the Souls Grown Deep Foundation; and purchase with exchange funds from the Pearlstone Family Fund and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc.
Object Number 2021.23
The Fifth Child Burning presents the material trauma of the remains of a house fire that consumed a child. Lonnie B. Holley describes the event: “A little girl in Birmingham burned to death in her own house ... Her parents was not home. They had given her luxuries but not their own time.” Holley’s title links this unidentified girl to the four young girls killed in the 1963 church bombing in Birmingham, Alabama, an act of domestic terrorism and catalyst for the civil rights movement. Holley, as well as Thornton Dial, are among the many artists who entered the collection through partial gift of the Souls Grown Deep Foundation (SGDF), an organization devoted to promoting the work of African American artists, mostly self-trained, from the American South in museum collections.
The Baltimore Museum of Art by purchase/gift, 2021
Christopher Bedford, Asma Naeem, and Katy Siegel, The Baltimore Museum of Art, "Now is the Time: Recent Acquisitions to the Contemporary Collection," May 2, 2021 - July 18, 2021

Artist

Lonnie B. Holley

born Birmingham, AL 1950

Meet Lonnie B. Holley

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