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The Scarecrow - Image 1
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The Scarecrow - Image 3
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Kurt Schwitters, Käte Steinitz, and others

The Scarecrow

1925

The Scarecrow — thumbnail 1
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The Scarecrow — thumbnail 3
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Scroll

The Scarecrow

1925

Physical Qualities Bound volume with color relief prints, Book: 205 x 248 x 8 mm. (8 1/16 x 9 3/4 x 5/16 in.) Case: 224 x 265 x 20 mm. (8 13/16 x 10 7/16 x 13/16 in.)
Credit Line Purchased with funds contributed to Celebrate the 90th Birthday of Beatrice Levi; Nelson and Juanita Greif Gutman Fund; and Art Acquisition Fund
Object Number 2009.114
"The Scarecrow" uses typography for both illustration and narrative text, interweaving these elements to make abstract representation accessible to children. The story focuses on a scarecrow, represented by an uppercase X, who owns a top hat, cane, and silk scarf. He feuds with a farmer, a rooster, and chickens, who hack at the scarecrow until he loses his belongings to the ghosts of their former owners. The stripped-down typographic format reflects the narrative of the scarecrow losing these status symbols, echoing the Dada art movement’s notion of destroying the past. On the left page of this spread, the farmer, represented by an uppercase B, chastises the scarecrow. On the right, the farmer kicks the scarecrow, and the narrative text streams from the farmer’s body as the scarecrow’s accessories fall away.
The Baltimore Museum of Art by purchase, 2009; Ars Libri, Ltd., Boston
Rena Hoisington, BMA, "Off the Shelf: Modern and Contemporary Artists' Books," May Gallery, March 12 - June 25, 2017.

Explore the Collection Further

Kurt Schwitters
Composition with Signs: Merz, Dada [etc.]
1920
Matsumi Kanemitsu
Scarecrow
1953
Kurt Schwitters
Composition with Head
1921