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André Masson

There Is No Finished World

1941

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André Masson

There Is No Finished World

1941

Physical Qualities Oil on canvas, 53 x 68 in. (134.6 x 172.7 cm.)
Credit Line Bequest of Saidie A. May
Object Number 1951.333
The Baltimore Museum of Art, by bequest, 1951; Saidie A. May, by purchase, 1942; Buchholz Gallery (Curt Valentin), New York
The Baltimore Museum of Art, "The Saidie A. May Collection of Modern paintings and Sculpture", March 17-April 16, 1950, cat. 73.

Darsie Alexander, "Robert Motherwell: Meanings of Abstraction", Baltimore Museum of Art, May 20, 2006-July 30, 2006.
The Baltimore Museum of Art News, “Catalogue of the Saidie A. May Collection of Modern Paintings and Sculpture,” March, 1950, cat. 73, p. 18.
Pamela Franks,"The Tiger's Eye: The Art of a Magazine," New Haven: Yale University Art Gallery, Yale University Press, n.d., pp. ?, 100, 102.
Susan Helen Adler, "Saidie May Pioneer of Early 20th Century Collecting", United States: Stonehouse Design, 2008, p. 201.
Baltimore Museum of Art. The Baltimore Museum of Art: Celebrating a Museum. Baltimore: The Baltimore Museum of Art, 2014.
Greeley, Robin Adele, Samantha Kavky, Oliver Shell, and Oliver Tostmann. "Monsters & Myths: Surrealism and War in the 1930s and 1940s." New York, NY: Rizzoli Electa in association with The Baltimore Museum of Art and Wadsworth Atheneum Museum of Art, 2018, ill.

Artist

André Masson

1895–1986

French, 1896-1987
Meet André Masson
André Masson and Galerie Louise Leiris
Reveuse
1969–1978
André Masson and Rose Masson
Diagrams for "There Is No Finished World"
1941
André Masson and Galerie Louise Leiris
Éroïca
1973
Etienne Delaune and Jean Delaune
Allegory Signifying That There is Nothing More Constant in the World than Inconsistency
1579
André Masson
Untitled
1969–1978
André Masson
Men and Women
1972
Thornton Dial
Ground Zero: Nighttime All Over the World
2001
André Masson
Untitled (Crouching Nude)
1949–1958
Jacob Adam and Joseph Müller
Portrait of Holy Roman Empress Maria Theresa
1793