The Baltimore Museum of Art by purchase, 1989; Phyllis Kind Gallery, New York

San Jose Museum of Art, "Robert Colescott: A Retrospective, 1975-1986," April 5-May 31, 1987; circulated to Contemporary Arts Center, Cincinnati, September 11-November 7, 1987; The Baltimore Museum of Art, January 12-February 28, 1988; Portland Art Museum (Ore.), March 18-May 8, 1988; Akron Art Museum, June 18-August 14, 1988; Museum of Art, University of Oklahoma, Norman, September 10-November 5, 1988; Contemporary Arts Museum, Houston, December 3, 1988-January 28, 1989; The New Museum, New York, February 25-April 22, 1989; Seattle Art Museum, May 20-July 15, 1989 (exhibited as "At the Bathers Pool (Venus is Still Venus)")

Helen Molesworth, Museum of Contemporary Art Chicago, "This Will Have Been: Art, Love, and Politics in the 1980s;" February 11 - June 3 2012; The Walker Art Center June 2 - September 9, 2012; and the Institute of Contemporary Art Boston, Octber 2 2012 - January 3 2013, exh. cat. pp. 53, 68-69, ill. pp. 70-71.

Inscribed: VERSO: signed and dated on stretcher corner brace, LLQ, "THREE GRACES/AT THE BATHERS POOL:/VENUS iS STiLL/VENUS./©/Robert Colescott/JULY 1985"; inscribed on tacking margin, at center of BE, "VENUS iS STiLL VENUS".