Previously On View
Adelyn Breeskin: Curating a Legacy explores Adelyn Breeskin and her extraordinary career as BMA Director from 1942-1962 through archival materials and examples of the beloved works the Museum acquired under her curatorial vision and leadership. Throughout her 32-year career at the Museum, beginning with her tenure as the BMA’s first curator of prints in 1930 and, later, the museum director, Breeskin secured the renowned Cone Collection for the BMA and accomplished countless other achievements, including commissioning the U.S. Pavilion for the 1960 Venice Biennale.
As the leading authority on American Impressionist Mary Cassatt, Breeskin introduced American audiences to the artist and published scholarship, including the artist’s catalogue raisonné, which remains central to scholars’ research today. Behind the scenes, Breeskin cultivated a great spirit of women supporting women and did so all while working in a male-dominated field and raising three daughters as a single parent.
This exhibition is curated by Laura Albans, Assistant Curator of European Painting and Sculpture.
This exhibition is generously sponsored by Frederick Singley Koontz.
Gallery Images
Location
Cone Wing
Media
Virtual Gallery Walk
Select Artworks in this Exhibition
Aztec
Maize Goddess (Chicomecoatl)
14th- early 16th century
Andrea Mantegna
Battle of the Sea Gods
c. 1475
Martin Schongauer
Saint Anthony Tormented by Demons
c. 1470-1475
Arthur G. Dove
The Bessie of New York
1932
Hans Hofmann
Germania
1951
Marsden Hartley
Rising Wave, Indian Point, Georgetown, Maine
1937-1938
Georgia O'Keeffe
Waterfall I
1952
Theodore Roszak
Memorial to Gloucester Seaman
1954
Philip Guston
Table
1960
Keith Morrow Martin
Portrait of a Lady (Adelyn Breeskin)
1966
Mary Cassatt
Portrait of Madame J (Young Woman in Black)
1879-1880
Francisco José de Goya y Lucientes
El Sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)
1799, printed later