Previously On View
Guarding the Art features works from the BMA’s collection, across eras, genres, cultures, and mediums, selected by guest curators from the BMA’s Security department. As guest curators, the officers will collaborate with leadership and staff across the museum to select and reinterpret works. In addition, the team is working with renowned art historian and curator Dr. Lowery Stokes Sims, who is providing additional mentorship and professional development.
The exhibition was conceived earlier this year by BMA Trustee Amy Elias in conversation with Dr. Asma Naeem, BMA Eddie C. and C. Sylvia Brown Chief Curator, about ways to fulfill the Museum’s commitment to be more diverse, more inclusive, and more representative of the community it serves. An inquiry was subsequently sent to all members of the BMA’s security team to gauge their interest in developing an exhibition that would provide them with the unique opportunity to have their voices heard through their perspectives about the museum’s collection.
The 17 officers who elected to participate are Traci Archable-Frederick, Jess Bither, Ben Bjork, Ricardo Castro, Melissa Clasing, Bret Click, Alex Dicken, Kellen Johnson, Michael Jones, Rob Kempton, Chris Koo, Alex Lei, Dominic Mallari, Dereck Mangus, Sara Ruark, Joan Smith, and Elise Tensley. The group reflects a broad range of backgrounds and interests with officers who are also artists, chefs, musicians, scholars, and writers.
Throughout the exhibition’s development process, the guest curators are collaborating with staff in curatorial, design, education, conservation, and marketing departments to support cross-departmental conversation, learning, and idea-sharing. With additional guidance from Dr. Sims, the group is conducting object research, determining the scope of the exhibition, weighing in on installation design, developing didactic materials, generating content for a catalogue, and planning visitor tours and other public programs. Along with the creative opportunity, each participant is being compensated for their time with funds directed from a lead grant from the Pearlstone Family Foundation.
This exhibition is generously sponsored by Amy Elias and Richard Pearlstone/The Pearlstone Family Fund, Mr. and Mrs. Jeffrey Legum, Kwame Webb and Kathryn Bradley, the United Way of Central Maryland, David and Elizabeth Himelfarb Hurwitz, and Michael Sherman and Carrie Tivador.
New York Times
Baltimore Museum Guards Take a Seat at the Curators’ Table
Washington Post
The newest curators at the Baltimore Museum of Art? Its own security guards
CBS Sunday Morning
Where Museum Guards Pick the Art
The Kelly Clarkson Show
Innovative Exhibit Showcases Art Curated By Museum Security Guards
Gallery Images
Video
Guarding the Art: Kellen Johnson
Guarding the Art: Elise Tensley
Guarding the Art: Rob Kempton
Guarding the Art: Alex Dicken
Select Artworks in this Exhibition
Max Ernst
Earthquake, Late Afternoon
1948
Max Beckmann
Still Life with Large Shell
1939
Mono
Water Bottle
Early 20th century
Atlantic Watershed
Figure of a shaman (Sukia)
1000-1520
Quimbaya
Seated male figure
500-1000
Jane Frank
Winter’s End
1958
Jama-Coaque
Effigy vessel of standing dignitary
500 BCE-CE 500
Emile-Antoine Bourdelle
Head of Medusa (Door Knocker)
1925
Thomas Ruckle
House of Frederick Crey
1830-1835
Grace Hartigan
Interior, ‘The Creeks’
1957
Philip Guston
The Oracle
1974
Sam Gilliam
Blue Edge
1971
Press Contacts
Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907
Sarah Pedroni
Baltimore Museum of Art
Communications Manager
spedroni@artbma.org
410-428-4668
Alina Sumajin
PAVE Communications
alina@paveconsult.com
646-369-2050