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BMA Stories

BMA Stories is much more than what's on view, though we cover that too! BMA Stories explores the questions art raises, the conversations it sparks, and the stories that surround it.


BMA Stories

The Experiment Realized, What Happens Next?

In the final days of the groundbreaking exhibition Guarding the Art, curator and Museum guard Rob Kempton offers an analysis of what it has meant to serve as a curator and how it has—at least for now—changed the relationship between guard and visitor at the BMA.


BMA Stories

Joan Mitchell’s Weeds, 1976

When Xavier Fourcade visited Joan Mitchell at La Tour in June 1976 to lay the groundwork for her exhibition at his New York gallery that fall, Weeds was well underway but not quite finished, as a photograph of Fourcade in Mitchell’s studio attests: the painting leans against the wall behind him, its two panels pushed together.


BMA Stories

Woodlawn Vase: The Prize of Preakness

Proudly standing just under three feet tall, the Maryland Jockey Club’s lavishly ornate Woodlawn Vase is perhaps the most famous trophy in American sports history and certainly one of the most important pieces of presentation silver in the United States.


BMA Stories

Baltimore History Figures Prominently in New Center for Prints, Drawings, and Photographs

This winter, as you step into the Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings, and Photographs, look up at the stone archway to see figures of the past welcoming a new present.


BMA Stories

Drawn To: Charles Mason III Reflects on Sister Lu by Mark di Suvero

Mark di Suvero’s Sister Lu sits at the top of an incline in the BMA’s Ryda and Robert H. Levi Sculpture Garden.


BMA Stories

From Baltimore, Maryland, to Amman, Jordan, Skateboarding Makes the World Go Round

To the BMA’s Dave Eassa, few sounds are as familiar as skateboard wheels hitting the pavement and gliding over concrete.


BMA Stories

Win a Gee’s Bend-Inspired Community Quilt

. One year into the pandemic, the event brought together quilters and novices across the country to learn from members of the African American Quilters of Baltimore (AAQB), a dedicated group of textile artists who have made quilts of extraordinary craftsmanship and beauty over the years.