Attributed to Kate Mattingly Edwards
Crazy Quilt
1880
Physical Qualities
Silk, including velvet, ribbons, and Stevengraph; silk embroidery threads, cotton lining
, 68 1/4 x 67 in. (173.4 x 170.2 cm.)
Credit Line
Gift of Mrs. A. Taylor Bragonier
Object Number
1956.201
A crazy quilt or throw composed of 25 blocks, each approximately 11-3/4' to 12-1/4' square created from irregular swatches of various silk materials including satins, failles, velvets, printed and patterned silks, ribbons, and moirés. The seams between swatches are covered with a variety of decorative embroidery stitches including floral, snowflake, and key designs, and variations of the feather stitch worked in a multitude of colors of thread. Embroidered in the upper left corner of the quilt in yellow thread with blue flowers on a white satin ground are the initials 'K M E.' In the upper right corner is an embroidered musical staff with the cattails, pansies, dogwood blossoms, goldenrod, water lilies, rosebuds, cherries, holly, ivy, black-eyed Susans, thistles, wheat, petunias, etc.).
The center block features a brilliant embroidered peacock in satin and stem stitches on a black ground and the block above includes a woven Stenvengraph depicting a race horse and jockey. Other animals and insects include a chick emerging from an egg, butterflies, and spiders with their webs. Other typical motifs include a crescent moon and star, and a peacock feather. The majority of motifs are embroidered. Many are partially worked in chenille threads. Some are appliquéd from velvet or silk faille or ribbon. The ivy leaves are appliquéd in green velvet with embroidered veins and stems. Embroidery stitches used in motifs throughout include stem, satin and French knots, especially as flower centers.
The quilt is surrounded by a red silk satin border 3-3/4' wide embroidered with floral motifs in white, light blue, yellow, and green. Like most crazy quilts or throws, this example is most likely pieced to a cotton foundation (although this cannot be determined due to the backing) and it is not actually quilted. The backing consists of several widths (each approx. 33' wide) of golden brown cotton twill.
The Baltimore Museum of Art by gift, 1956; Dorothy Belt Berry Bragonier (Mrs. A. Taylor Bragonier)(1894-1985) by inheritance; Kate Mattingly Edwards (1857-1954) (later Mrs. H.C. Berry).
Anita Jones, "American Crazy Quilts", The Baltimore Museum of Art, June 3 -November 29, 2015.
Anita Jones, BMA, 'Sweet Dreams: Quilts and Coverlets from the Collection,' BMA, October 26 - December 31, 1994.
"A Victorian Christmas,' Baltimore Museum of Art (Downtown), December 1974.
Anita Jones, BMA, 'Sweet Dreams: Quilts and Coverlets from the Collection,' BMA, October 26 - December 31, 1994.
"A Victorian Christmas,' Baltimore Museum of Art (Downtown), December 1974.
Inscribed: Embroidered in upper left corner: 'K M E'
Maker
Attributed to Kate Mattingly Edwards
American, 1857-1954, active West Virginia
Meet Attributed to Kate Mattingly Edwards