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Jar with Masked Feline Design - Image 1
Jar with Masked Feline Design - Image 2
Jar with Masked Feline Design - Image 3
Jar with Masked Feline Design - Image 4
Jar with Masked Feline Design - Image 5
Jar with Masked Feline Design - Image 6

Nasca

Jar with Masked Feline Design

Nasca, 400-499

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Nasca

Jar with Masked Feline Design

Nasca, 400-499

Physical Qualities Ceramic, polychrome slip, 6 5/16 x 4 5/16 x 3 1/8 in. (16 x 11 x 8 cm.)
Credit Line Gift of Mr. and Mrs. Vincent Price
Object Number 1953.34.3
Identifiable by their thin, even walls and shiny surfaces, Nasca ceramics featured up to 13 colors, which was more than appeared on vessels created by any other culture in the Americas in antiquity. The Nasca people, who lived on the southern coast of Peru from around 1–700 CE, created some of the most vibrant and refined ceramic vessels of the Americas before the arrival of Europeans in the region in the 16th century. From left to right, note the change in Nasca ceramics. The earliest Nasca works include identifiable figures, like the striped frogs and lúcuma fruit on the double-spout bottle at the far left. Ceramics created in the following centuries, like the jar and waisted vessel, became increasingly abstract. Supernatural figures hover in mid-air with rays emitting from their bodies, which then explode into geometric shapes. Late Nasca ceramics, such as the striped polychrome vase, were taller and focused on geometric patterns. The stripes of this vessel mimic designs from Nasca textiles, which were treasured goods in Andean society. Label applicable for group: 2016.203, 1953.34.3, 2003.193, and 2016.204.
The Baltimore Museum of Art by gift, 1953 - Present; Mr. and Mrs. Vincent L. Price, ?? - 1953
Ancient Americas Gallery Rotations 2021

Ancient Americas Gallery Rotations 2022

Ancient Americas Gallery Rotations 2023

Ancient Americas Rotations 2024
Kidder II, Alfred
1954. Six Polychrome Vessels from Nazca. In BMA News 17(3):2-6. Fig. 3

Culture

Nasca

2000–2000

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