Brass-cast figures such as these were brought out by a fire where their faceted surfaces and muscular forms would capture the light of the flames and impress distinguished visitors. They were commissioned by leaders and other men of means in Dan society as status symbols. These eight works of art are all attributed to the renowned artist, Ldamie. According to his son, Ldamie became so famous for his casting skill and attention to intricate detail that 'he was carried everywhere in a hammock [as a sign of prestige], and he never again had to walk.' Text paired with "Ldamie. Liberia. Donner, 1940. From Four Dan Sculptors: Continuity and Change by Barbara Johnson, 1986, p.53."