Moravian Seminary for Young Ladies, Bethlehem, Pennsylvania
Mourning Embroidery without Dedication
1804-1814
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Moravian Seminary for Young Ladies, Bethlehem, Pennsylvania
Mourning Embroidery without Dedication
1804-1814
Physical Qualities
Silk ground, silk and silk chenille embroidery threads, paint, ink, Sight (Embroidered Image only): 12 1/2 × 9 1/4 in. (31.8 × 23.5 cm.)
Framed: 18 1/4 × 15 × 1 3/4 in. (46.4 × 38.1 × 4.4 cm.)
Credit Line
Gift of Ellen Morton Schaeffer
Object Number
1924.2.2
A silk on silk mourning embroidery featuring a woman dressed in neo classical gown with added headcovering standing by an urn-topped monument beneath overarching branches of a willow tree. The woman leans upon the monument and covers her face with a handkerchief as if weeping. The monument has a square top, concave sides and a square base. The monument's reserves have no inscriptions or dedications to departed family or friends. The urn situated on top has a fluted based and swagged drapery. The tree to the right of the figure (left of viewer) arches overtop the woman, monument and urn with long, densly worked leaves. Three small evergreen trees are to the viewer's right and thick shrubbery is worked on either side of the scene. Below the monument, the ground is flat and multicolored, with a few shrubs or flowers found just at the foot of the plinth of the memorial. The scene is contained within an oval formed by a single outlining black chenille thread.
The ground is a lustrous silk satin and has been turned under around the embroidery leaving about 1" beyond the embroidered black border line. The woman's clothing is worked in cream and taupe silk in flat stitches. Her hands, neck and face are painted, although her features are hidden behind the handkerchief. The paint appears thick and opaque, the workmanship average. The monument is worked in flat stitches, with care taken to shade the sides and give contour. The urn is worked in blues and grays, also flat. The three leaves are worked in dark blue-green, dark green, medium green, and light yellow-green. Knotted stitches in dark and light greens give texture to the three evergreen trees, and light variations of green and white form the bushes. The ground before the monument is covered in chenille threads of various shades of green, brown, and gold.
Displayed in reproduction gilded frame with reproduction eglomise mat.
The Baltimore Museum of Art by gift, 1924; Ellen Morton Schaeffer.
Susan Cumins, Baltimore Museum of Art, Period Needlework in America, 1979-1878, Baltimore Museum of Art, cat. #14.
Betty Ring, Girlhood Embroidery: American Samplers & Pictorial Needlework, 1650-1850, New York: Alfred A. Knopf, 1993, Vol. II, pp. 434-444, especially fig. 492, p. 440.
Patricia T. Herr, ''This little trifling Thing': Moravian schoolgirl needlework from Lititz, Pennsylvania,' The Magazine Antiques, (February 1993), pp. 308-317.
Patricia T. Herr, The Ornamental Branches: Needlework and Arts from the Lititz Moravian Girls' School Between 1800 and 1865, Pennsylvania: The Heritage Center Museum of Lancaster County, 1996.
Patricia T. Herr, ''This little trifling Thing': Moravian schoolgirl needlework from Lititz, Pennsylvania,' The Magazine Antiques, (February 1993), pp. 308-317.
Patricia T. Herr, The Ornamental Branches: Needlework and Arts from the Lititz Moravian Girls' School Between 1800 and 1865, Pennsylvania: The Heritage Center Museum of Lancaster County, 1996.
Inscribed: None.
School
Moravian Seminary for Young Ladies, Bethlehem, Pennsylvania
1741–1862
1742 - 1863
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