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Reiko Sudo and Nuno Corporation

Slipstream

1993

Scroll

Slipstream

1993

Physical Qualities Silk, paper (Mino washi), Overall (received size): 147 1/4 × 46 1/2 in. (374 × 118.1 cm.) Other (final length after hemming to create casing): 145 in. (368.3 cm.)
Credit Line Purchased in Memory of Dena S. Katzenberg, Consultant Curator of Textiles, 1969-2000, with funds contributed by her Family and Friends
Object Number 2002.169
In Slipstream, NUNO employs thin strips of handmade paper (washi) as slit yarns, much like the strips of gilded paper and metal foil used in Japan’s richly patterned traditional karaori or nishiki brocades. These narrow paper yarns float between two layers of transparent silk organdy, mechanically joining the two within small woven squares at regular intervals. The twisting or folding of the paper yarns between the layers of silk creates the feeling of flowing movement, “like ripples in water.” This is further enhanced by the moiré (“watered”) effect that results from superimposing the two woven grids created by the warps and wefts of the outer two layers.
The Baltimore Museum of Art by purchase, 2002; NUNO Corporation, Tokyo, Japan
NUNO: Japanese Tradition/Innovation in Cloth
Cara McCarty and Matilda McQuaid, Structure and Surface: Contemporary Japanese Textiles, New York: The Museum of Modern Art, 1998.

Inscribed: None

Designer

Reiko Sudo

1952–2000

Japanese, born 1953
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Manufacturer

Nuno Corporation

1983–2000

Tokyo, 1984-present
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