Previously On View
Produced across the world, bark cloth is an artistic object made from the inner bark of trees and is often a critically important artistic product for the communities that produce it. Bark cloth’s ability to function as both a textile as well as a painted decorative surface extends its importance. However, because Euro-American artists have not historically created artworks from bark, the artform has been understudied and under-collected by Euro-American art museums. It also defies traditional Western categorizations of artistic genre (such as painting, textile, and work on paper).
This presentation, drawn almost entirely from the BMA’s collection, focuses on the importance of this unique artistic medium with nineteen beautifully patterned artworks from across Africa and Oceania. These works expand our considerations about the nature of art and the limits imposed by categorization.
Curated by Kevin Tervala, BMA Associate Curator of African and Oceanic Art
Location
Contemporary Wing, 3rd Floor
Select Artworks in this Exhibition
Tongan
Bark Cloth (Ngatu)
Mid-20th century
Samoan
Bark Cloth (Siapo)
1920s - 1930s
Samoan
Tapa Cloth
1920s-1940s
Baining
Mask (Kavat)
Early 20th century
Fijian
Tapa Cloth (Masi)
Early 20th century
Baganda
Patterned Bark Cloth (Olubugo Olutone)
c. 1967
Kuba
Masquerade Costume
Early 20th century
Chokwe
Fiber Mask (Chikunza)
Before 1880
Mbuti
Painted Barkcloth (Pongo or Murumba)
Mid-20th century
Mbuti
Painted Barkcloth (Pongo or Murumba)
Mid-20th century
Mbuti
Painted Barkcloth (Pongo or Murumba)
Mid-20th century
Mbuti
Painted Barkcloth (Pongo or Murumba)
Mid-20th century