Previously On View
Women who rebelled against sexist social rules have been trivialized and controlled for centuries. Portrayed according to stereotypes or vilified, women acting on their own behalf have been undermined consistently by their representation in Western art. Spanning the Renaissance to the progressive social movements of the 19th and early 20th centuries, this exhibition links heroines of the past with modern trailblazers, celebrating women throughout history who broke rules, transgressed boundaries, and insisted upon recognition of their human rights.
Approximately 75 prints, photographs, and books illustrate female power and courage over five centuries into the modern era when women were actively engaging to effect social change. In the first section, prints by such canonical artists as Albrecht Dürer, Rembrandt, Francisco de Goya, and Edvard Munch demonstrate how iconic portrayals of powerful women of the past have informed our subsequent understanding of female agency. The second section celebrates women who pursued identities beyond the traditional categories of wife and mother, expanding their presence into the public sphere as dancers, actresses, musicians, authors, and advocates for civil rights.
The exhibition title nods to the well-known quote, “Well-behaved women seldom make history,” from a 1976 essay by Pulitzer Prize-winning historian Laurel Thatcher Ulrich.
Generations of women have continued to give this maxim a life of its own, rallying behind it as a call for challenging societal standards.
This exhibition is curated by Andaleeb Badiee Banta, Senior Curator of Prints, Drawings & Photographs.
This exhibition is supported by Nancy Hackerman, Clair Zamoiski Segal, Amy and Marc Meadows, Patricia Lasher and Richard Jacobs, and the Samuel H. Kress Foundation.
Gallery Images
Location
American Wing
Select Artworks in this Exhibition
Martin Lewis
Shadow Dance
1930
Henri de Toulouse-Lautrec
Yvette Guilbert Singing Linger-Longer-Loo
c. 1896
Henri de Toulouse-Lautrec
Carnaval – Au Moulin Rouge – Entrée de Cha-U-Kao
c. 1896
Sebald Beham
Adam and Eve
1543
Rembrandt van Rijn
Adam and Eve
1638
Jan van de Velde II
The Sorceress
1626
Pieter Lastman
Judah and Tamar
c. 1620
Albrecht Dürer
Four Naked Women (Four Witches)
1497
Johann Sadeler I
Aristotle and Phyllis
n.d.
Cornelis Galle I
Judith Cutting off the Head of Holophernes
c. 1616
Charles Michel Geoffroy
Medea Killing her Own Children
after 1838
Henri de Toulouse-Lautrec
A Bust of Mademoiselle Marcelle Lender
1895
Aubrey Beardsley
Salomé
1938
Edvard Munch
Vampire
1895
Eugène Samuel Grasset
Jeanne d’Arc / Sarah Bernhardt (Joan of Arc / Sarah Bernhardt)
1890
Francisco José de Goya y Lucientes
Todos Caeran (All Will Fall)
1799, printed before 1867
Henri de Toulouse-Lautrec
Madame Réjane
1898, printed 1951
Honoré Daumier
The mother is in the heat of composing, while the baby is in the water of the bathtub!
1844
Manuel Orazi
Loïe Fuller at the Exposition Universelle
1900
Emile-Antoine Bourdelle
Head of Medusa (Door Knocker)
1925
James Van Der Zee
Dancer, Harlem, 1925
1925, printed 1974
Richard Ranft
L’Écuyère
1898
John Raphael Smith
The Weird Sisters
1785
Agostino Veneziano [Agostino dei Musi]
The Witch’s Procession
c. 1531
Man Ray
Marchesa Luisa Casati
1935
Edward Steichen
Anna May Wong, New York
1930, printed 1940s
Nadar
George Sand
1864
Eugene Gaujean
Salomé
c. 1876
Henry Somm
Woman Teasing Miniature Men
n.d.
Niccolo Boldrini
Samson and Delilah
c. 1540-1545
Paul Ranson
Alchemy
1893
Sarah Choate Sears
Mrs. Julia Ward Howe
published 1907
Edward Steichen
Isadora Duncan
published 1913
Monogrammist Z.B.M.
Pandora Opening the Box
1557
Manuel Orazi
Magic Calendar
1895
Jean-Emile Laboureur
Woman in a Blue and Yellow Suit
c. 1912
Luigi Conconi
Intoxication
c. 1896
Cecil Beaton
Colette, April 26, 1929
1929
Félicien Joseph Victor Rops
A coeur perdu
1888